Hiroshi Watanabe | Places
El Arbolito Park, Quito, Ecuador, 2002 © Hiroshi Watanabe
“I go to places that captivate and intrigue me. I am interested in what humans do. I seek to capture people, traditions, and locales that first and foremost are of personal interest. I immerse myself with information on the places prior to leaving, but I try to avoid firm, preconceived ideas. I strive for both calculation and discovery in my work, keeping my mind open for surprises. At times, I envision images I’d like to capture, but when I actually look through the viewfinder, my mind goes blank and I photograph whatever catches my eye. Photographs I return with are usually different from my original concepts. My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity, while other times I seek pure beauty. The pure enjoyment of this process drives and inspires me. I believe there’s a thread that connects all of my work — my personal vision of the world as a whole. I make every effort to be a faithful visual recorder of the world around me, a world in flux that, at very least in my mind, deserves preservation.”
Music Notes, Nakatsugawa, Japan, 2004 © Hiroshi Watanabe
White Terns, Midway Atoll, 2000 © Hiroshi Watanabe
Whales Eye, Anaheim, CA, 2004 © Hiroshi Watanabe
Bora Bora, Tahiti, 1997 © Hiroshi Watanabe
Mandalay, Burma, 2000 © Hiroshi Watanabe
Santa Monica Pier, 2000 © Hiroshi Watanabe
Battery Park, New York, 2000 © Hiroshi Watanabe
Liberty State Park, New Jersey, 2004 © Hiroshi Watanabe
Tsutenkaku, Osaka, Japan, 2004 © Hiroshi Watanabe
Salmon Heads, Sapporo, Japan, 2004 © Hiroshi Watanabe
International Fountain, Seattle, 2000 © Hiroshi Watanabe
China Town, Portland, Oregon, 2004 © Hiroshi Watanabe
Standing Woman, Metropolitan Museum of Art, New York, 1997 © Hiroshi Watanabe
Kabukiza, Tokyo, Japan, 2004 © Hiroshi Watanabe